My first book gets published in just a few days, and I got my Author Copies (a box of my own books) in the mail this week! They are GORGEOUS and I am so excited to be able to share it with you!
Happy New Year’s Eve! Not only are we starting a new year and a new decade, we’re starting it off with as many 2010-comparison memes, Gatsby throwbacks, and hope for the future as possible! And for me, the 2020s is starting off with pretty much my dream coming true. My first book, a YA fantasy about a thief who takes the throne, NAMELESS QUEEN, comes out in exactly one week on January 7, 2020!
This is a heck of a way to start off the next decade of my life. I’m so excited! Let’s take a look at how I got here:
In 2010, I was graduating high school and starting college. I had just finished writing my first book, and I had Big Dreams of writing more in college. I wasn’t quite ready for publishing. I knew enough to know I could be better and that my skill level wasn’t where I wanted it to be to debut. So, over the next four years of college, I wrote four more books. Then, in 2014, just as I graduated and started working at my first job, I started writing the first draft of NAMELESS QUEEN. It was my first foray into first person present tense narration, and even as I wrote it, it felt different. I knew as I wrote it that this would be my first time properly trying to get published.
I revised it through the first half of 2015 and was accepted into Pitch Wars, which is a mentorship program with an agent showcase at the end. I worked with the gloriously ambitious and kickass author, Laura Steven (EXACT OPPOSITE OF OKAY; A GIRL CALLED SHAMELESS) for two months. From the showcase, I got multiple offers from literary agents, and I accepted Peter J. Knapp, who is the cheeriest and most encouraging and best agent. Within weeks, we were on submission. Within a day, we had our first offer.
NAMELESS QUEEN sold at auction within a week to Penguin Random House, Crown Books for Young Readers. But then the contract boilerplate was being revised, and it didn’t get finalized and signed until August 2016. Then began revisions! So. Many. Revisions.
A whole lot changed in the manuscript, culminating in an 80% rewrite over two months in early 2018.
Yeah, you heard right. Almost TWO YEARS of revisions with my editor. Oof. It just goes to show that sometimes things move fast and sometimes they move sllllloowwwwww. In the first half of 2018, they finally settled on what the publish date would be: January 7, 2020. We could have *maybe* made it into Fall 2019, but we still had to do line edits and copy edits, and ultimately they really wanted the ARCs to have the final cover design on it, so they pushed the publish date out just a bit farther. This was a long cry from the original aspiration “late 2017” publish date that my agent and I expected back when we sold the book. But life is long and most of it is outside of our control. In some ways, I felt held back and stunted by this drawn-out timeline, but that has more to do with the cultural obsession of achieving “success” ASAP. The book needed 2 years of revisions, and so that’s what it took.
Needless to say, however, I don’t want to repeat that timeline, if at all possible. So, at my editor’s suggestion, I’ve hired a lovely freelance editor to work with closely on the first and second draft of my next book under contract. In late 2018/early 2019, I got a pitch approved for my second book. I wrote the first draft between August 2019 and October 2019. Now I’m working on the second draft after some revisions planning with my freelance editor, and I’m aiming to go into the New Year with a plan to finish Draft 2 by the end of January. As of now, I’m 17% through the manuscript. It’s a totally different world than NAMELESS QUEEN, so it’s a lovely stretch in a different direction after spending *checks watch* over half of the decade working on a single book.
I’m swinging into the New Year with A LOT of determination and ambition. I can’t wait to share NAMELESS QUEEN with you, and I can’t wait to continue on this Author Journey. Books are a joy, and I can’t believe I’m lucky enough to have a life where I get to write and share them with you!
Holidays can bring family and joy and festivity, but it can also bring vacation time from day jobs and free time to yourself. This isn’t true for everyone every year. But when it is, *chef’s kiss*, it’s a beautiful time.
Here on December 28th, I’m in a wonderful position of being on vacation until the New Year. Not all of my friends, family, and coworkers are so lucky, and it wasn’t more than a couple years ago when I was a contractor still and didn’t get any paid vacation or holidays at all. So, I cherish this time! Time to be around family, sleep in, enjoy good food and company, panic about the 10-day countdown to my book’s release, and spend some quality time with the revisions of my second book.
I’m in yet another unique situation where I’m working on Draft 2 of my second book, but I’m doing so with a freelance editor—and we don’t have a deadline. This isn’t to say that I should (or could!) be taking my sweet time with it until the heat death of the universe. On the contrary, I am a self-starter in terms of deadlines, and I can’t abide a deadline-free life. That’s one of the reasons I have done National Novel Writing Month in the past, because it imposes a one-month, 50,000-word deadline.
But I also don’t want to run myself ragged in the week that I have to reboot before the start of 2020, when just as many things will be pulling me in just as many directions. January, my friends. January.
January itself heralds the release of my debut book, NAMELESS QUEEN, on the 7th of the month. It also marks the release of a project at my day job that I spent the last year on. It also will involve me going to places around lower Michigan to sign stock and indie bookstores, signing at least 500 copies of my book (FOR SECRET REASONS!), and pondering the fate of the new decade.
January. I will survive it. Everything will be fine.
What I’m really saying is that I believe in deadlines as a powerful form of motivation, and here are my deadlines for the end of this year, my “End of Year To Do list” prior to my “2020 TO DO LIST.”
END OF 2019 TO DO LIST
Finish revisions to Chapters 1-3, and send them to my freelance editor, Ruth.
Build my calendar for January 2020. (Dot journals are amazing!)
Start revisions to Chapter 4-onward.
Plan out my next two YouTube videos. (I have notoriously gotten to the Friday before the posting day and been like “Oh. Filming and editing. I should do that.”) I’m off for the holidays but want to be ready for next year!
It’s weird to be working on Draft 2 of Book 2 before my first book is published, but here we are! My first book, NAMELESS QUEEN, is out on January 7, 2020. And my second book is well underway in drafting! 🙂
Stress, guys. It’s not great. It can be tough having two jobs, both of which need your time, energy, and creativity. Here’s a video where I talk about some things I deal with, some strategies I have, some thoughts on false dichotomies, and the perils of TV.
NAMELESS QUEEN comes out in exactly one month, on January 7, 2020! If you want to read the first chapter for free, here’s two options! Option 1 – Watch the below video where I WILL READ THE STORY TO YOU. Gather around my rocking chair, my children! Option 2 – Scroll down past the video and the book description, and you can read it Right. Here. Right. Now!
Brief Book Description of NAMELESS QUEEN
One girl must make a name for herself—or die trying—in this royal fantasy where an unknown peasant becomes the ultimate ruler. But how long can she keep the crown if everyone wants her dead? Perfect for fans of Furyborn, Red Queen, and Everless.
“A thrilling tale of identity and found family wrapped up in epic, politically-charged worldbuilding. Once I started reading, I couldn’t stop…on the list of my favorite fantasies, Nameless Queen has won its way to the top!”
Crystal Smith, author of Bloodleaf
Chapter 1 of NAMELESS QUEEN
I wake up the same way I fell asleep: knife in hand, boots for a pillow, and Nameless.
When I push away the heavy wood pallet, a shiver runs up my arms. My shoulder aches from sleeping on my side, but the best way to stay warm is a small space and a good coat. I pull on my boots, wiggling the numbness from my toes.
Curling my fingers into my threadbare sleeves, I leave behind the pungent puddles and uneven alley brickwork for the smoother cobblestone street bearing the morning foot traffic. Passersby shrug off yawns as vendors shout their prices. Two iron rings for a jar of dried apples, three copper coins for a cut of a morning pastry.
The city of Seriden is waking up.
Hat waits for me at the corner. Usually she’s leaning against the dark bricks and staring out at the morning crowds, her shoulders even and strong, a small smile on her lips that she doesn’t notice. She’ll trade our stolen coins for a breakfast of stale cornbread or day-old fish and oats while I pick out bump-grab marks. The easiest are pudgy-faced Legals with leather purses flaunted at their waists or flashy gems dangling past their stiff, starched collars.
Today she’s fidgeting: shoulders pinched, fingers twitching. Never a good sign.
“Bad news?” I ask. Fresh air, sharp with ocean salt, chases away the last of my morning lethargy.
She grabs my hand and pulls me back down the alley. So much for fresh air.
“Bad, then.” I wrinkle my nose, but she doesn’t seem to notice the smell. She’s surprisingly resilient for being twelve or thirteen years old. “Did the bread caravan break down again? Last time that happened, the markets were a mess. Legals can’t survive without their sugar rolls, can they?” I laugh, but Hat shakes her head.
Her bright red hair frizzes in an energetic halo around her face, and a rare frown curls her features. Somehow Hat easily manages what I can only strive for: optimism. On days when we see a little kid starving in an alley, my stomach twists. Hat always hands over her breakfast with a smile. If Hat’s frowning, it’s serious.
“Two more Nameless kids went missing last night,” she says. “It was Judge and Spinner. And you know Anchor, that kid who went missing two weeks ago? He turned up this morning. Dead. It was . . . I don’t like it, Coin.”
I give her a soft pat on the arm. “It’ll be okay, Hat. You just have to come straight here in the mornings from now on, okay? And keep your knife handy.”
Hat scans the edges of the rooftops, distracted.
“What else is wrong?” I ask.
“I didn’t see Devil this morning,” she says.
Devil is a Nameless girl a bit older than me who always has the latest gossip. Want to know which guards are good for bribing? Looking to hire a thief? Ask Devil. She’s posted in the same place every morning, and she’ll trade news for food or trinkets. That’s how she makes her living as a Nameless. Instead of thriving on thefts and cons, she thrives with information. That and a smuggler’s business.
Hat visits Devil early in the mornings, staying in her good favor by sharing any gossip. If Devil’s missing, she knows something we don’t, something bad. Or . . .
I ask the question I don’t want to ask. “Do you think she’s gone, like the others?”
Hat’s frown deepens. “She’s older than most of the ones who’ve gone missing.”
“Devil’s strong, though. Smart. A fighter. She once robbed a Legal’s house of all its doors and windows for cheating her out of a deal.” I try to keep the mood light. “She’s probably off sweet-talking the new Royal Guard recruits.”
“I doubt that.” She struggles to keep the frown.
I rub my sore shoulder. “I can see that from the excellent unibrow you’re working on.”
She breaks into a grin. “Is this better?” She furrows her brow even more, and a few strands of hair come loose from behind her ear.
“Almost perfect.” I place a finger on each eyebrow and scrunch inward, completing the bridge.
She laughs, her forehead smoothing back to normal. Her small shoulders descend from a pinch into their sloping, natural curves.
“Okay,” Hat says. “We’ll grab breakfast and look for Devil.”
*
As we near West Market, the bustle of morning vendors grows louder. The crowds are starting to gather on the streets. The air is layered with cardamom and cinnamon, vanilla and rose perfumes, and the subtler scents of ash, dirt, and salt. As Legals arrange their wares and unpack shipping crates, Hat and I linger between a stall selling early spring harvests from local farms and a shop selling imported and strenuously taxed goods from inland cities.
Hat says, “It’s pretty scary, right? These Nameless going missing, I mean.”
She doesn’t sound scared. She sounds as if she wants something. I groan, already knowing what it is.
“It’s not safe for you or me to be walking out here alone all the time,” she says. “You should let me live with you.” I trudge a bit faster as if to escape the conversation, but she keeps pace nimbly.
“We’ve talked about this,” I say. “I can’t look after you all the time. It’s better that you stay with Marcher. I move around a lot. I get into a lot of trouble. I create a lot of trouble.”
“Do you really believe that?” Hat says. “You think I’m better off in Marcher’s crew? You should know that’s not true. You used to be one of us. You left when you were my age. The way Marcher tells it, you were the best grifter he ever trained. And yeah, I’ll miss the kids and having my own spot to sleep—not to mention I have all my keepsakes—but I want to be on my own with you. I’m sick of going back there. Giving him everything I steal. I’m sick of him. Isn’t that why you left?”
I roll my shoulders uncomfortably. I hate this conversation every time we have it.
“Marcher may be a spetzing bastard,” I say, “but he knows how to keep you safe. Most of you, anyway.”
Hat frowns at me, confused.
“You’re getting good,” I say, redirecting the conversation. “Really good. Won’t be long before you can strike out on your own. Just like I did.” I try for a reassuring smile, and she offers a half-hearted shrug in response, but I know better than she does how hard it can be to leave Marcher’s crew and how difficult it can be to go it alone. I can’t spend every night and morning with the weight of her life in my hands.
I spy a heavily guarded shipment of jewelry from the mountainous city of Tuvo, but most Legals can’t afford pricey gems like that, not as they’re losing their jobs every time the paper mill cuts its workforce. There’s been a rising tension in the air, and I’ve been getting more dirty looks than usual—it’s not my fault that being a thief and grifter is steady work. They’re jealous, I’m sure.
Most of the foot traffic is Legals, who linger between stalls, with a few Royals mixed in, identifiable by their bright, colorful coats of blue, gold, and violet. Legals wear softer, pale colors, mostly grays and pastels. The Legals are the loudest, shouting discounts and goods for sale, while the Royals strut calmly among the stalls with the silence of those who don’t need to haggle over prices. The Nameless are on the outskirts, dressed in castaway clothing scavenged from the trash.
That’s the easiest way to find the Nameless. We live on the streets, and we look it.
“Got your eye on a mark yet?” Hat asks, casting her light brown eyes around the stalls.
On a typical day, it’s my job to pick the mark and decide whether we’ll con them or pickpocket them. It’s all about finding people with enough coins and rings to make the grab worthwhile, but not someone so rich that they’ll have us executed immediately if we’re caught.
I send her after a Legal who is browsing a jewelry stall. The man is debating between a brooch with a quartz frame and one with gold, so I know he—unlike most Legals—has decent money in his pockets. As Hat moves through the crowd, a dark cap hiding her bright hair, my instincts prickle. I scan farther down the street, and that’s when I see him. Marcher. Black hair hangs past his chin, gray stubble shadows his face, and pale skin crinkles around his emotionless green eyes.
He’s the worst of the street runners, with a crew of Nameless orphans trained to pickpocket Legals and pull small-time cons. He knows how to keep them safe, but when a big enough score comes along, he doesn’t care if they get caught or killed. I should know; I used to be one of them. And, technically, Hat still works for him. I tell her to only volunteer for small jobs. Nothing dangerous. But if he sees her pulling a grab, he’ll come after her for the rings and coins she gets. If he knows she’s doing it with me, he might go so far as to get her caught.
In a fluid motion, I rip off my dark maroon coat and start a quick pace out into the crowd. I snatch a beige coat from a Legal stall. As I move, I bump into a distracted Nameless man, causing him to topple a large bag of red beans.
“Nameless cur!” the vendor shouts at him, bending to recover the beans. “Look what you’ve done, alley trash! Gather them up before I call a Royal guard.”
No one notices as I pull on the Legal coat.
I move swiftly as I fasten the top few buttons—enough to cover my dirty green shirt. I roll my shoulders and straighten my posture, pulling my long dark brown hair behind my shoulders to hide the uneven, frayed edges.
Snatching a few segments of cinnamon bark from a spice stall, I take a few running steps to catch up. I cut in front of Hat, just in time to bump into a well-dressed Royal.
I plaster an apology on my face and speak in a fake sweet voice. “Oh, pardon me!”
The Royal stumbles and meets my eye as I hold his elbow to keep him from falling. He’s mostly bald, and the wispy hair clinging to the sides of his head is pulled back with an elastic band.
I force an even exhale. Wearing Legal clothes is enough to get me thrown in prison, or if the patrolling Royal guards are in a bad mood, I’ll get a quick trip to the gallows. Times like this, I’m glad for the hungry hollow of my cheeks and the strong tilt of my jaw. No food or parents to speak of, but they give me the appearance he would expect of a Legal girl.
“Quite all right,” the Royal says.
I brush invisible dirt off his bright violet waistcoat. With deft fingers, I probe the lining but don’t find his purse. I give him a second glance. This Royal smiled. Blushed, even. His gaze lingered. Time for a different tactic.
I steer him to a spices stall, where the vendor is off arguing with a neighboring seller.
“Please,” I say, gesturing at the array of fragrant flower petals, sliced herb roots, and pouches filled with ground spices. “Take anything you want. A token of my apology.” I angle myself around the corner so he can’t see the patched holes in my pants.
The Royal skims over the spices as I sort the cinnamon. When his gaze lands on me, a bit too far south from my face, I grab a spice pouch and offer it to him.
“Here.” I fix a guilty expression on my face. “A collection of our most expensive spices.”
He gives a coy smile, his head burning red. “I couldn’t possibly.” He reaches into his coat and fetches a soft blue velvet purse from a deep pocket. No wonder I couldn’t reach it. He pours out a few gold rings and silver coins, and before he can count them, I lean forward.
“I heard there’s bad news floating around today,” I say. His blush and curiosity feel like a real heat coming off him, and I take a moment to focus.
His fingers hover above the coins. His coy smile turns mischievous, as if he’s letting me in on a secret. “I suppose Legal whispers don’t travel as quickly as those of the Royals. My dear, our beloved King Fallow passed away last night. Dreadfully sad, I know.”
He is absolutely not sad. His face is alight with the drama of it all. He grins and adds, “The next heir could be anyone, whoever has the crown tattoo!” He winks at me, as if I could be that lucky Legal, and he leans close to savor my surprise.
Don’t scowl. Don’t scowl. I place the spice pouch over the gold coins, slipping all three from his hand. Despite the sweat glistening at his temples, his hand is cold like a shock, and suddenly, instead of staring out at the market and the bustling Legals, I’m staring down a long corridor with a narrow band of red carpet stretching out beneath my feet. I’m standing on my toes, peering into a room as a Royal guard shoos me away. I almost catch a glimpse of the dying king inside, but I bustle off down the corridor in disappointment. I run a dry hand through the white hair on the side of my head as my sharp black shoes pad quietly on the carpet.
I let go of the Royal’s hand, and my vision snaps to the market. The sounds of arguing vendors and customers return to my ears, and the Royal before me looks dazed.
“I saw him, you know,” the Royal says. “Caught a glimpse of him on his deathbed just last night. Quite tragic, in its own way.” The man shakes his head to clear his thoughts.
I regain my composure and realize I’m still holding the gold coins. I palm them and cross my arms in concern, dropping them into my pocket.
I struggle for words, trying—for the sake of the con—to ignore what just happened. “When do you think the heir will step forward?”
He shrugs and idly slides his coin purse into his jacket. He runs a sweaty thumb over the spice pouch. “We’ll have to wait and see.”
I give a gracious curtsy and thank him again. He rejoins the crowd as I duck out of the stall. Hat still stands where I cut her off, arms raised in a sustained shrug. As I approach her, she pulls the black hat off her head and replaces it with a blue one from her pocket.
“Why did you cut me off? I thought my approach was solid.” Hat grumbles as we move to the edge of the crowd.
I show her the three coins, scratched and worn but still shining. Then I point over her shoulder at Marcher. When she sees him, her face pales and she moves closer to me.
“You know he’ll still try to take it,” Hat says. Marcher stands on the corner, glaring at us.
“Run along, Hat,” I say. “I’ve got an argument to get to.”
She scampers behind me, moving closer to the alley, but she doesn’t quite leave. Marcher storms up to me.
“That’s my grab,” Marcher says.
I pinch the gold coins between my fingers, fuming. “No. She was going to pick the pocket of a sprightly Legal, and I decided to pickpocket a Royal. This is mine. You know it is. She couldn’t have grabbed anything from a Royal.”
“You did when you were her age,” Marcher says slyly. “You always had a gift for improvisation.”
“That makes you stupid and a bastard,” I say. Even though I’m taller than him now, he’s still looking down on me.
“Even so,” he says, and he leans forward and snatches the coins from me. As he strolls away, a brazen tilt in his steps, heat rises in my chest. The heavy presence of the market crowd flattens into the background.
I stomp after him, and I know I shouldn’t make a scene.
I kick the back of his knee, sending him down. I definitely shouldn’t make a scene.
I pretend to reach down to help him up, but I push him hard onto the ground instead. A flare of dark satisfaction burns through my chest, but it freezes when I see the coiling smirk still on his lips. I slam my knuckles against his left eye. So much for subtle.
The market has created a bubble of space around us, with most people passing by and ignoring what they think is a Legal beating on a Nameless, and a few of them idling with mild interest. If it gets too far, they’ll start placing bets. If it goes even further, they’ll call the Royal guards.
Hat catches up to us, and she pulls me by the hand as if she’s leading a child, guiding me down the nearest alley. Marcher knows better than to bring any more attention to us, but he throws a withering glare from his good eye. At least he’s not smiling anymore.
“I know, I know,” I mutter. “Not good.” Hat hands me my dark, ratty coat, which she rescued from the barrel I left it on, and I pull it on over the beige coat. I don’t want to ditch something nice just because wearing it could get me killed.
Hat tries and fails to hide an approving grin. “You guys were getting along so well, too.”
Marcher and I have a solid history of mutual hatred. I throw his dock stash in the harbor; he raids my winter stocks. He foils my long con with a wealthy Legal; I send a couple of Royal guards to his latest hideout. He sees me as a competitor. He always has, even when I was a child. I see him—as I always have—as a spetzing bastard.
I can handle the Legals and Royals, their condescending snarls and the pitiless angle of their chins. I can suffer their ignorance, their disrespect, and their blatant disgust. It’s normal from them. But I won’t take it from the Nameless. I can’t. Especially not from Marcher.
“So, the Royal shared an interesting rumor,” I say, and Hat’s frown makes a spectacular recovery. “King Fallow died, and none of the Royals have the tattoo.”
“No one’s stepped forward? What Legal wouldn’t want to be king?” She leans close enough for me to see the uneven, patchy weave of the hat on her head. “Seriden hasn’t had an empty throne before. Not in our lifetime, anyway. You know how people get when there’s no one to tell them no. They always want something or someone to be angry at.” She gestures between the two of us.
She’s right. Most Royals and Legals hate us. Not only are we thieves and grifters, but we hate them right back. With gusto. It isn’t illegal to kill us, but it also isn’t illegal for us to commit crimes. Except that if we’re caught, it’s a toss-up whether we’re imprisoned or executed. There is no petitioning of the judiciary for us.
“That’s just what we need.” A pang of something like fear tightens in my stomach. “But here’s the thing. That Royal I talked to. I think he did something to me—I think he has the crown tattoo, maybe? Because when he touched my hand, he showed me his memory. I think.”
“Do you want to track him down and find out?”
I shake my head. I want to be as far away from Royalty as possible right now.
“We still have time before the morning rush ends,” Hat says. “Let’s go to East Market.”
“East Market,” I mumble unhappily. “It always smells like fish.” I take a deep sniff of the cinnamon and pepper clinging to the Legal coat.
“Well, fish happens when you make a scene.” She laughs and playfully nudges my left shoulder.
Pain shoots from my shoulder to my arm, down to the pads of my fingers, and I cry out, grimacing and curling over.
“Are you all right?” Hat immediately retreats, as if she’s accidentally kicked a puppy.
“Yeah.” I pull down the two layers of coats and my long-sleeved green shirt. It feels like a wasp sting, but it’s too early in the season for that. “Slept wrong last night. Must’ve bruised my shoulder. I did just sort of get in a fight, too.”
Hat laughs. “Better you than me. I’m not old enough to kick him down like that yet. But give it time.” She’s about to say something else, when her eyes widen. From her face, I think it must be a nasty bruise. I twist to get a good look, but there’s no bruise. Instead, a black ink tattoo surrounds my upper arm like jewelry.
We both know what it is, but neither of us can speak. The bustle of the market rises to fill the silence, and I’m suddenly very aware of the throngs of people not too far away.
But it’s unmistakable: the sloping angles of the design, the crisp edges, the sharp points.
It’s a crown.
Impossible. The king couldn’t speak my name, because it doesn’t exist. I am not a Legal. I am not a Royal. I am Nameless. Yet the crown on my arm means that King Fallow named me his heir. It is impossible, yet somehow true.
If you’re researching what it’s like to be an author, the process of writing and revising, or just the publishing industry in general, you may have heard the term “edit letter.” But what does that mean? What does it entail?
My publisher (Penguin Random House) is recording the audiobook of my debut novel, NAMELESS QUEEN, this week! Some things have been happening, I’ve had some phone calls, and I want to tell you all about it!
Special filming location at my grandmother’s lake because my first recording video was buggy and bad and also I am a procrastinator.
Creative burnout is really common in fields of creative production and artistry — authors, youtubers, artists… we all have to find ways to refill that creative well. Here are the three things I do!
Rebecca McLaughlin 